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Showing posts with label <b>Joseph Lease</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<div class='status-msg-hidden'>Showing posts with label <b>Joseph Lease</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a></div>
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<h2 class='date-header'><span>Monday, August 20, 2012</span></h2>

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<p class=MsoNormal align=center style='text-align:center'><a href="http://scottishpoetrylibrary.podomatic.com/entry/2012-03-04T07_54_51-08_00"><span style='font-size:12.0pt;line-height:115%;font-family:"Arial","sans-serif"; color:black;mso-themecolor:text1;mso-no-proof:yes;text-decoration:none; text-underline:none'><img border="0" height="445" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh5.googleusercontent.com/proxy/ilsooK6ugs1Q9zqLuwR9sgZuT69p3Rt9wgjyLPcQGuHE3kirbu-To5LRGRxWW2z3mso2JD0yZ4VqDX7y0YBo3XIenG-gONAYRCxqxiq7syguFJt7LUs1-BGTwf5QcQ%3Ds0-d" width="334"></span></a><span style='font-size:12.0pt;line-height:115%;font-family:"Arial","sans-serif"; color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'><o:p></o:p></span></p>  <p class=MsoNormal align=center style='text-align:center'><span style='font-size:12.0pt;line-height:115%;font-family:"Arial","sans-serif"; color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'><a href="http://scottishpoetrylibrary.podomatic.com/entry/2012-03-04T07_54_51-08_00"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Talking</span></a> with <a href="http://willtoexchange.blogspot.com/2007/08/interview-with-joseph-lease.html"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Joseph</span></a> <a href="http://www.tabletmag.com/jewish-arts-and-culture/books/74164/prophet-margin"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Lease</span></a><br> <br> <a href="http://www.kqed.org/arts/programs/writersblock/episode.jsp?essid=20420"><span style='color:#0D0D0D;mso-themecolor:text1;mso-themetint:242;mso-style-textfill-fill-color: #0D0D0D;mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-alpha: 100.0%;mso-style-textfill-fill-colortransforms:"lumm=95000 lumo=5000"'>Reading</span></a> from <i style='mso-bidi-font-style:normal'>Broken World<o:p></o:p></i></span></p>
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<h2 class='date-header'><span>Wednesday, June 18, 2008</span></h2>

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<p class=MsoNormal align=right style='margin-bottom:12.0pt;text-align:right'><span style='color:black'><img height="348" id="_x0000_i1025" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh5.googleusercontent.com/proxy/voCjrTfG4Sz_hgRy59qsa8htmwPwms_wM1Bqu8FMO31sMQEA49ViAAUv4BzIn4-thTfad2bgjKPJ-20PElgr6nuOxUs5KGXUWXVQKh4sGi25%3Ds0-d" width="229"><o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>One test of a book is how you feel about the writer &amp; his or her work on completing the volume. In the case of Joseph Lease&#8217;s <i style='mso-bidi-font-style:normal'><a href="http://www.coffeehousepress.org/brokenworld.asp"><span  style='color:black'>Broken World</span></a>, </i>I want to read everything he&#8217;s ever written, and for everything that&#8217;s written but not yet in print to get published as soon as possible. <i style='mso-bidi-font-style:normal'>Broken World </i>is a dazzling performance whose only weakness, to my eye &amp; ear, is that it could have been much longer. At 66 pages, some of which have works only two lines long upon them, it&#8217;s not much larger than a chapbook. But Lease is a poet who combines the political earnestness of a George Oppen with the sound-driven poetics, say, of Robert Duncan, the richness of which really grows over time &amp; reading. <i style='mso-bidi-font-style:normal'>Broken World </i>consists of two sections &#8211; one a gathering of eight relatively short poems, the other a longer work (it&#8217;s nearly half the book) in which nearly every section has the same title, &#8220;Free Again.&#8221; My sense is that, presuming that these works are representative, the ideal Lease volume would probably contain five sections on the order of these two. If it did, you&#8217;d have something on the scale &#8211; both in terms of richness &amp; accomplishment &#8211; of </span><st1:City><st1:place><span   style='font-size:10.0pt;font-family:Arial;color:black'>Duncan</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'>&#8217;s <i  style='mso-bidi-font-style:normal'>Roots and Branches. </i>That&#8217;s rare territory indeed.<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>An example of how this works in practice. While the first section of this book appears to be eight individual &amp; distinct poems, it makes use of reiteration &#8211; I&#8217;m tempted to say rhyme &#8211; in ways that may recall Jack Spicer&#8217;s use of the same poem in two places in <i style='mso-bidi-font-style:normal'>Book of Magazine Verse </i>at least as much as it does Laurie Anderson&#8217;s <i style='mso-bidi-font-style:normal'>Big Science. </i>Here, in its entirety is &#8220;Little Lightning Bolt&#8221;:<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.6in;margin-bottom:12.0pt;margin-left:.6in;text-indent:1.5in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>Simon says, put your hands on your head. Simon says, put your finger on your nose. <span class=GramE>Simon says, you haven&#8217;t done enough.</span> <span class=GramE>Simon says, you don&#8217;t care enough.</span> Simon says<span class=GramE>,</span> compulsive old answers can&#8217;t leave the world alone. Simon says<span class=GramE>,</span> you&#8217;re going to die. Simon says, don&#8217;t let <span class=GramE>yourself</span> care. <span class=GramE>Simon says, you can&#8217;t stop caring.</span> Simon says, man-tall but thin as a phone call, compulsive old answers can&#8217;t leave the world alone. Simon says<span class=GramE>,</span> you only have blood, marsh light, and sparrow. Simon says, put your hands on your head </span><span style='font-size:10.0pt;font-family:Arial;color:black'>&#8211;</span><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'><o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>And here is the second section of &#8220;Prayer, Broken Off,&#8221; three poems &amp; eight pages later:<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:1.3in;margin-bottom:12.0pt;margin-left:1.3in;text-indent:.5in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>Simon says, put your hands on your head, Simon says, put your finger on your nose, Simon says you haven&#8217;t done enough, Simon says you don&#8217;t care enough, Simon says, you can&#8217;t stop caring </span><span style='font-size:10.0pt;font-family:Arial;color:black'>&#8211;</span><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'><o:p></o:p></span></p> 

<p class=MsoNormal style='margin-top:0in;margin-right:1.3in;margin-bottom:12.0pt;margin-left:1.3in;text-indent:.5in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>Oh look at you </span><span style='font-size:10.0pt;font-family:Arial;color:black'>&#8211;</span><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'> once again you&#8217;re a machine made of words, once again you&#8217;re a death, a failure, <span class=GramE>your</span> responses always too big and dirty<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:1.3in;margin-bottom:12.0pt;margin-left:1.3in;text-indent:1.5in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>and you want them to get bigger and dirtier </span><span style='font-size:10.0pt;font-family:Arial;color:black'>&#8211;</span><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'><o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>And tho the <i  style='mso-bidi-font-style:normal'>Simon says </i>trope doesn&#8217;t appear elsewhere, the tone &amp; rhythm of these two pieces are absolutely central to the first section of this book. This is a book unashamed of its feelings, or perhaps ashamed but willing to go forward with them anyway. And, as should be obvious here, the voice here is less that of the poet than of the dialog betwixt self &amp; superego. Here is the first section of the second work, entitled &#8211; as almost all of these sections are &#8211; &#8220;Free Again&#8221;:<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.7in;margin-bottom:12.0pt;margin-left:.7in;text-align:justify'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>When I can&#8217;t sleep I am full of red buds and torn curtains and shiny cars parked in a lot. My lower-middle-class manners tear through my upper-middle-class manners: I stared at braided colors in water while my peers figured out the art of the deal. I was (I wanted to be) a Midwestern boy with a disco in my eyes &#8211; Chicago Jew, <span class=SpellE>greengolden</span> suburb Jew, son of a Coney Island Jew. When I drank I got punched up by luminous waves of anger. I thought I had to choose between winning in </span><st1:State><st1:place><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>New York</span></st1:place></st1:State><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'> and being a good person. I&#8217;m not a good person: a good person doesn&#8217;t talk about himself &#8211; or so good people tell me. What is our <span class=GramE>country.</span> Did it start as blank, as blank <span class=SpellE>blank</span>, as blank <span class=SpellE>blank</span> <span class=SpellE>blank</span>. I would love to fly to Vegas for the Punk Festival &#8211; we aren&#8217;t the first culture to &#8220;monetize relationships&#8221; &#8211; force steel splintering, force breathing, moisture in the air: the city dissolves, one long story of corruption: USA means the outer miracle kills the inner miracle: history has to live with what was here: no images, no lightning, no letters of flame: leaves move, clouds move, money moves, night pushes through the money &#8211;<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>It&#8217;s not an accident that this piece uses justified margins (most sections here don&#8217;t) or that almost all of Lease&#8217; poems end with an <span class=SpellE>em</span> dash. This is <span class=GramE>a poetry</span> not just of rhythms but of recriminations. It&#8217;s not an accident that it seems bounded between the disasters of the holocaust &amp; AIDS. I believe him when he writes of anger, yet there is an undercurrent of humor here, as in the end of this piece, also called &#8220;Free Again&#8221;:<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:1.0in;margin-bottom:12.0pt;margin-left:1.0in;text-indent:1.8in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>give the prince of business the days of wine and roses </span><span style='font-size:10.0pt;font-family:Arial;color:black'>&#8211;</span><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'> the smell of frost and coffee </span><span style='font-size:10.0pt;font-family:Arial;color:black'>&#8211;</span><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'> don&#8217;t be absurd: you&#8217;ll never meet princes of business </span><span style='font-size:10.0pt;font-family:Arial;color:black'>&#8211;</span><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'> you don&#8217;t know any &#8220;upper-class&#8221; people </span><span style='font-size:10.0pt;font-family:Arial;color:black'>&#8211;</span><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'> but you could just go to sleep, that would be good </span><span style='font-size:10.0pt;font-family:Arial;color:black'>&#8211;</span><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'> you could sleep here </span><span style='font-size:10.0pt;font-family:Arial;color:black'>&#8211;</span><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'> you would be warm. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>This is, in the most literal sense, cold comfort &#8211; it almost sounds like the last thoughts of someone dying of hypothermia. <o:p></o:p></span></p> 

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>There are going to be people who really seriously hate this poetry, who I think are going to take Lease for some sort of hothouse flower. That&#8217;s why I think it would have been good to have had perhaps twice as much work here. It&#8217;s a cumulative effect, and if you get it, it can be exceptionally powerful. But if you don&#8217;t, I think Lease will make you squirm. Although, and I think (hope) Lease knows as much, if you do, then you deserve to squirm, absolutely.<o:p></o:p></span></p>
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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